Atmeeyam : ( 22/10/2012. )

A discourse of Swami Vivekananda on Mahabharata : (Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900) Then came Yama, the God of Death, the Judge of the dead. He was the first man that died — the first man that died on earth — and he had become the presiding deity over all those that die. He judges whether, after a man has died, he is to be punished or rewarded. So he came himself. Of course, he could go inside that charmed circle as he was a god. When he came to Savitri, he said, "Daughter, give up this dead body, for know, death is the fate of mortals, and I am the first of mortals who died. Since then, everyone has had to die. Death is the fate of man." Thus told, Savitri walked off, and Yama drew the soul out. Yama having possessed himself of the soul of the young man proceeded on his way. Before he had gone far, he heard footfalls upon the dry leaves. He turned back. "Savitri, daughter, why are you following me? This is the fat

A discourse of Swami Vivekananda on Mahabharata : (Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900.) So Savitri came to this hermitage and saw there Satyavan, the hermit's son, and her heart was conquered. She had escaped all the princes of the palaces and the courts, but here in the forest-refuge of King Dyumatsena, his son, Satyavan, stole her heart.  When Savitri returned to her father's house, he asked her, "Savitri, dear daughter, speak. Did you see anybody whom you would like to marry " Then softly with blushes, said Savitri, "Yes, father." "What is the name of the prince?" "He is no prince, but the son of King Dyumatsena who has lost his kingdom — a prince without a patrimony, who lives a monastic life, the life of a Sannyasin in a forest, collecting roots and herbs, helping and feeding his old father and mother, who live in a cottage."  On hearing this the father consulted the S

A discourse of Swami Vivekananda on Mahabharatam : Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900. Savitri consented and travelled in distant regions, mounted in a golden chariot, with her guards and aged courtiers to whom her father entrusted her, stopping at different courts, and seeing different princes, but not one of them could win the heart of Savitri. They came at last to a holy hermitage in one of those forests that in ancient India were reserved for animals, and where no animals were allowed to be killed. The animals lost the fear of man — even the fish in the lakes came and took food out of the hand. For thousands of years no one had killed anything therein. The sages and the aged went there to live among the deer and the birds. Even criminals were safe there. When a man got tired of life, he would go to the forest; and in the company of sages, talking of religion and meditating thereon, he passed the remainder of his life. 

A discourse of Swami Vivekananda on Mahabharatam : Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900. So, to this Rajasuya sacrifice all the liberated kings came, along with those conquered by the brothers, and rendered homage to Yudhishthira. King Dhritarashtra and his sons were also invited to come and take a share in the performance of the sacrifice. At the conclusion of the sacrifice, Yudhishthira was crowned emperor, and declared as lord paramount. This was the sowing of the future feud. Duryodhana came back from the sacrifice filled with jealousy against Yudhishthira, as their sovereignty and vast splendour and wealth were more than he could bear; and so he devised plans to effect their fall by guile, as he knew that to overcome them by force was beyond his power. This king, Yudhishthira, had the love of gambling, and he was challenged at an evil hour to play dice with Shakuni, the crafty gambler and the evil genius of Duryodhana. In ancient

A discourse of Swami Vivekananda on Mahabharatam : Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900 Now, you know, in every society there are stages of development. Behind this epic there is a wonderful glimpse of the ancient historic times. The author of the poem mentions the fact of the five brothers marrying the same woman, but he tries to gloss it over, to find an excuse and a cause for such an act: it was the mother's command, the mother sanctioned this strange betrothal, and so on. You know, in every nation there has been a certain stage in society that allowed polyandry — all the brothers of a family would marry one wife in common. Now, this was evidently a glimpse of the past polyandrous stage.  In the meantime, the brother of the princess was perplexed in his mind and thought: "Who are these people? Who is this man whom my sister is going to marry? They have not any chariots, horses, or anything. Why, they go on foot!" So

Among the Brahmanas were seated the five Pandava brothers. Arjuna, the third brother, was the hero of the bow. He arose and stepped forward. Now,  Brahmanas as a caste are very quiet and rather timid people. According to the law, they must not touch a warlike weapon, they must not wield a sword, they must not go into any enterprise that is dangerous. Their life is one of contemplation, study, and control of the inner nature. Judge, therefore, how quiet and peaceable a people they are. When the Brahmanas saw this man get up, they thought this man was going to bring the wrath of the Kshatriyas upon them, and that they would all be killed. So they tried to dissuade him, but Arjuna did not listen to them, because he was a soldier. He lifted the bow in his hand, strung it without any effort, and drawing it, sent the arrow right through the wheel and hit the eye of the fish. Then there was great jubilation. Draupadi, the princess, approached Arjuna and threw the beautiful garland o

A discourse of Swami Vivekananda on Mahabharatam : Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900 I told you last night of the peculiar form of the ancient Indian marriage. It was called Svayamvara, that is, the choosing of the husband by the princess. A great gathering of princes and nobles assembled, amongst whom the princess would choose her husband. Preceded by her trumpeters and heralds she would approach, carrying a garland of flowers in her hand. At the throne of each candidate for her hand, the praises of that prince and all his great deeds in battle would be declared by the heralds. And when the princess decided which prince she desired to have for a husband, she would signify the fact by throwing the marriage-garland round his neck. Then the ceremony would turn into a wedding. King Drupada was a great king, king of the Panchalas, and his daughter, Draupadi, famed far and wide for her beauty and accomplishments, was going to choose

A discourse of Swami Vivekananda on Mahabharata : 2. There were two brothers, sons of the emperor. The elder one was called Dhritarâshtra, and the other was called Pându. Dhritarashtra, the elder one, was born blind. According to Indian law, no blind, halt, maimed, consumptive, or any other constitutionally diseased person, can inherit. He can only get a maintenance. So, Dhritarashtra could not ascend the throne, though he was the elder son, and Pandu became the emperor.  Dhritarashtra had a hundred sons, and Pandu had only five. After the death of Pandu at an early age, Dhritarashtra became king of the Kurus and brought up the sons of Pandu along with his own children. When they grew up they were placed under the tutorship of the great priest warrior, Drona, and were well trained in the various material arts and sciences befitting princes. The education of the princes being finished, Dhritarashtra put Yudhishthira, the eldest of the sons of Pandu, on the throne of hi