The Great Epic Mahabharatam :17.

A discourse of Swami Vivekananda on Mahabharata :

 (Delivered at the Shakespeare Club, Pasadena, California, February 1, 1900)

So the five brothers and their wife clad themselves in robes of bark, and set out on their journey. On the way, they were followed by a dog. On and on they went, and they turned their weary feet northward to where the Himalayas lifts his lofty peaks, and they saw the mighty Mount Meru in front of them. Silently they walked on in the snow, until suddenly the queen fell, to rise no more. To Yudhishthira who was leading the way, Bhima, one of the brothers, said, "Behold, O King, the queen has fallen." The king shed tears, but he did not look back. "We are going to meet Krishna," he says. "No time to look back. March on." After a while, again Bhima said, "Behold, our brother, Sahadeva has fallen." The king shed tears; but paused not. "March on," he cried. 

One after the other, in the cold and snow, all the four brothers dropped down, but unshaken, though alone, the king advanced onward. Looking behind, he saw the faithful dog was still following him. And so the king and the dog went on, through snow and ice, over hill and dale, climbing higher and higher, till they reached Mount Meru; and there they began to hear the chimes of heaven, and celestial flowers were showered upon the virtuous king by the gods. Then descended the chariot of the gods, and Indra prayed him, "Ascend in this chariot, greatest of mortals: thou that alone art given to enter heaven without changing the mortal body." But no, that Yudhishthira would not do without his devoted brothers and his queen; then Indra explained to him that the brothers had already gone thither before him. 

And Yudhishthira looked around and said to his dog, "Get into the chariot, child." The god stood aghast. "What! the dog?" he cried. "Do thou cast off this dog! The dog goeth not to heaven! Great King, what dost thou mean? Art thou mad? Thou, the most virtuous of the human race, thou only canst go to heaven in thy body." "But he has been my devoted companion through snow and ice. When all my brothers were dead, my queen dead, he alone never left me. How can I leave him now?" "There is no place in heaven for men with dogs. He has to be left behind. There is nothing unrighteous in this." "I do not go to heaven," replied the king, "without the dog. I shall never give up such a one who has taken refuge with me, until my own life is at an end. I shall never swerve from righteousness, nay, not even for the joys of heaven or the urging of a god." "Then," said Indra, "on one condition the dog goes to heaven. You have been the most virtuous of mortals and he has been a dog, killing and eating animals; he is sinful, hunting, and taking other lives. You can exchange heaven with him. "Agreed," says the king. "Let the dog go to heaven." 

At once, the scene changed. Hearing these noble words of Yudhishthira, the dog revealed himself as Dharma; the dog was no other than Yama, the Lord of Death and Justice. And Dharma exclaimed, "Behold, O King, no man was ever so unselfish as thou, willing to exchange heaven with a little dog, and for his sake disclaiming all his virtues and ready to go to hell even for him. Thou art well born, O King of kings. Thou hast compassion for all creatures, O Bhârata, of which this is a bright example. Hence, regions of undying felicity are thine! Thou hast won them, O King, and shine is a celestial and high goal." 

Then Yudhishthira, with Indra, Dharma, and other gods, proceeds to heaven in a celestial car. He undergoes some trials, bathes in the celestial Ganga, and  assumes a celestial body. He meets his brothers who are now immortals, and all at last is bliss. 

Thus ends the story of the Mahabharata, setting forth in a sublime poem the triumph of virtue and defeat of vice. 

In speaking of the Mahabharata to you, it is simply impossible for me to present the unending array of the grand and majestic characters of the mighty heroes depicted by the genius and master-mind of Vyasa. The internal conflicts between righteousness and filial affection in the mind of the god-fearing, yet feeble, old, blind King Dhritarashtra; the majestic character of the grandsire Bhishma; the noble and virtuous nature of the royal Yudhishthira, and of the other four brothers, as mighty in valour as in devotion and loyalty; the peerless character of Krishna, unsurpassed in human wisdom; and not less brilliant, the characters of the women — the stately queen Gandhari, the loving mother Kunti, the ever-devoted and all-suffering Draupadi — these and hundreds of other characters of this Epic and those of the Ramayana have been the cherished heritage of the whole Hindu world for the last several thousands of years and form the basis of their thoughts and of their moral and ethical ideas. In fact, the Ramayana and the Mahabharata are the two encyclopaedias of the ancient Aryan life and wisdom, portraying an ideal civilisation which humanity has yet to aspire after.


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